Synopsis | Director's Statement | Crew Bios
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Synopsis
As
the Call, So the Echo documents the transformative experience
of an American ear, nose, and throat surgeon, Dr. Alex Moreano,
during several weeks he spent as a volunteer physician in a Vietnamese
hospital in 2003.
After
practicing in a Seattle HMO for 20 years, Dr. Moreano planned to
launch a private medical office there but decided instead to become a partner in another established practice in Albuquerque,
New Mexico. Saddled with thousands of dollars worth of expensive
medical equipment he had already purchased, Dr. Moreano opted to
donate the supplies to a hospital in Hue, Vietnam via the international
Christian charity MEDRIX.
Two
years later, upon finding that his equipment was still being held
up in customs, he intervened, deciding in the process to personally
train the Vietnamese clinicians to use the supplies and to consult
on individual cases that could benefit from his expertise as well.
In
the film, Dr. Moreano discovers the reality of third world medicine
rarely seen by Western doctors. Undersupplied clinics are presented
with pathologies that have progressed far beyond the stages where
they are usually treated in the United States and Europe. Dr. Moreano
finds himself treating conditions he has rarely seen since medical
school, if at all. Confronting both a language barrier and a lack
of equipment, he
endeavors with the Vietnamese doctors to provide the best care possible
against considerabe odds.
When
a woman with a perilous tumor is presented to Dr. Moreano, his first
reaction is informed by training which recoils from incurring liability
when surgery is extremely risky. But after learning the woman has
been waiting in the hospital for over a month, and recognizing the
alternative is certain death, he reluctantly agrees to operate.
As
the Call, So the Echo unfolds against the backdrop of a hauntingly
beautiful country that belies a war-torn history so familiar to
Americans. We discover how much the Vietnamese remain a gentle and
industrious people who defy the challenges of endemic poverty with
a spirit of hospitality and grace. The film documents the personal
journey of one American doctor, but also transports the viewer to
a land we thought we knew, but do not know well at all. The images
are as powerful as the story, and the result is a compelling documentary
full of drama and hope.
Director's Statement
Over a quiet family dinner in 2003, my father, Dr. Alex Moreano,
unexpectedly announced that he would travel to Vietnam as a volunteer
surgeon. Looking for my first post-NYU Film School project, I nearly
choked on my empanada.
Viet-what,
what did you say? I sputtered.
My
shock arose from a deep sense of confusion as if my father
had just told me I was an adopted child. As anyone who knows my
father can tell you, he is the type of person who is more likely
to burn his house down than he is to donate his time in a third
world country. He is a vehement Republican, a proud immigrant, and
a cynic to the core.
Or
so I had told myself.
What
followed was the ultimate take-your-son-to-work day: an intense
five-week journey that led us both to Hue, Vietnam. From the moment
we stepped into that hospital, all of my previous assumptions about
my father began to melt away. After watching my father open up another
person's head to remove a brain tumor, I realized that I never before
really knew him.
My
relationship with my father, however, is entirely absent in the
film. The moment I encountered the very first Vietnamese patient
my entire life changed. Many people I met on that first day were
about to die some of them bleeding from their eyes, missing
noses, tumors bulging from their eye-sockets and all of them
wanted to say something. Suddenly all my personal baggage with my
father got thrown out the window.
Vietnam
is one of the poorest countries in the world. Until very recently
it had been at non-stop war with its neighbors, colonial powers,
and the United States. Its poverty is well-hidden but crippling.
Four-thousand Southeast Asian children die every day from diarrhea
and other common conditions that are entirely treatable in our country.
The average citizens situation was overwhelming and filled
me with a new sense of gratitude and duty.
I originally
started this film to understand why my father had announced he would
travel to Vietnam (a purpose which is revealed in the film), but
I finished this film because I came face to face with the very real
strength of the Vietnamese character in times of incredible stress.
And it really shook my heart.
I hope
it shakes an audience too.
Keir
Moreano
director/producer
Crew
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